The “Golden Hits Of The 60s”
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CLASSICS
“TILL THEN”
(G. Woods, S. Marcus, E. Seiler)
Musicnote 111 6
No. 20 August 3, 1963
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Second tenor Johnny Gambale (b. Feb. 4, 1942), lead vocalist Emil Stucchio (b. Apr. 9,1944), bass Jamie
Troy (b. Nov. 22, 1942), and first tenor Tony Victor (b. Apr. 11, 1943) all lived on Garfield Place in Brooklyn.
They met on the streets, messed around on the streets, harmonized on the streets, and echoed in the
hallways and johns. By 1958, they were singing at hops and on shows in and around their turf. They were
the Perennials, but Sammy Sardi, the comedian and MC at the Club Illusion, couldn’t pronounce their
name, so he announced them as “The Classics” instead.
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Louie Rotunda a friend of the group and member of the Passions, suggested the guys audition for the
Passions’ manager, Jim Gribble. After a listen, Jim was singing their praises to Roger Sherman of the
dinky Dart label. Sherman signed the Classics up, and rushed them into the Bell Sound Studios on 56th
Street, where they recorded three singles. “Cinderella” sold fairly well regionally, but “Angel Angela”
and “Life Is But A Dream” (sold to Mercury Records) stiffed.
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The Classics hooked up with Andy Leonetti, the manager of the Paragons, who was about to set up his
own little label. “Till Then,” a cover of the Mills Brothers’ 1944 hit, was the Classics’ first release for
Musicnote. Success was short-lived, but sweet: the Garfield Park boys got to tour the country and stand
on the same stage with the Dubs, THE SHELLS, and the Flamingos.
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The follow-up, “P.S. I Love You,” sold poorly. “the record didn’t get much airplay,” Emil Stucchio explained
in an interview with Bim Bam Boom write Steve Flynn. “It was late 1963 and early 1964, and our style of
music was going downhill. The english sound was in. The public didn’t want to hear ballads.” Two more
singles were shipped, but failed to even smudge the lowest reaches of the charts.
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Emil Stucchio has since become a transit policeman, John Gambale is a commercial artist, Jamie Troy has
worked in the scrap-iron business, and Tony Victor had a seat on the New York Stock Exchange.