The “Golden Hits Of The 60s” 

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JEANNIE C. RILEY

“HARPER VALLEY P.T.A.”

(TOM T. HALL)

Plantation 3

No.1   September 21, 1968

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Before writing that song about the small-town widow who would arouse local ire for her free-thinking

ways, her short skirts, and sexy ways, TOM T. HALL was a trav­eling DJ and a $50-a-week songwriter.

Hall has claimed that Johnson, the heroine of “Harper Valley P.T.A.” was an actual woman whom he

had seen as a schoolboy in Carter City, Kentucky.   The tune’s vocalist, Jeannie C. Riley, was a secretary

and a sometime demo singer.   Within two weeks of its release, almost 2 million copies of “Harper Valley

P.T.A.” had been sold, and much had changed for Tom T. and  Riley.

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Jeannie Carolyn Stephenson (b. Oct. 19, 1945, Anson, TX) grew up dreaming of being a big-time country

singer.  After graduating from high school and marrying Mickey Riley, her childhood sweetheart, Jeannie

convinced her hubby to do what all aspiring country stars do–move to the center of the country­ music

action.   Once in Nashville, Mickey found work in a filling station, while Jeannie struggled as a secretary

at Jerry Chesnut’s Passkey Music Company.   In her spare time, she cut demos for the Wilburn Brothers,

Johnny Paycheck, and the folks at Little Darlin Records. She would call home often and tell here mama

that some­ day this little girl would make it big.

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Shelby Singleton, Jr., the maverick producer who had acquired Sun Records from the legendary Sam

Phillips, was sitting on what he thought would be a sure hit.   All he needed was a singer with the right

appeal to pull off the tasty nugget about Southern hypocrisy.   Then Singleton heard that voice–that of

Jeannie C. Riley–on a demo she had made.   On the night of July 26, 1968, after Riley had ripped though

“Harper Valley” in just one take, she called her folks in Texas and told them that she had just cut a

million-seller.   Having heard this type of exciting news before, her mother responded with skepticism.

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But Jeannie was on the mark this time–sales of her single eventually reached 6 million copies.   She

became an overnight star, bought a purple Cadillac, polished up her image, and weeks later appeared in

a mini-skirt and boots on “The Ed Sullivan Show.”   She made the rounds of TV talk shows, and won a

Grammy in 1968 for “Best Female Country Vocal Performance.”   Other plaques were presented, photos

taken, and concerts given.   The Harper Valley P.T.A. LP, naturally, sold in massive quantities.   A couple

of “Sin City”-type tunes made the C & W listings in 1969 and several of her fol­low-up disks made the Hot

100–“The Girl Most Like­ly” (#55; C&W: #6, 1969), “There Never Was a Time” (#77; C&W: #5, 1969),

“Oh, Singer” (#74; C&W: #4, 1971), and “Good Enough to Be Your Wife” (#97; C&W: #7, 1971).

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All was not well, however.   “I wanted to change the image,” Riley told Bob Gilbert and Gary Theroux in

their book, The Top Ten.   “I wanted to build a more wholesome image and convince people that I’m not

like the hero­ine of  ‘Harper Valley P.T.A.’   I was just tellin’ a story in those songs, but I soon found out

people thought that’s what I was really like.”

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A decade after charting, Harper Valley P.T.A. (1978) was turned into a successful flick starring Nanette

Fab­ray and Barbara “I Dream of Jeannie” Eden as the sexy widow, Mrs. Johnson.   In 1981, Eden

repeated the role in the NBC TV show of the same name. Fanny Flag played the part of her friend and

ally; George Gobel, the town’s main man Mayor Otis Harper.

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Things began to unravel for Jeannie, though.   As the singer admitted in her autobiography–From 

Harper Valley to the Mountain Top (1981)–she [started] drinking heavily, and her marriage to Mickey

Riley ended. The C & W hits slowed to a trickle in the mid ’70s, then stopped altogether in 1976.   But by

then, Jean­nie was a born-again Christian, singing and recording gospel songs.

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Mickey and Jeannie remarried in 1976.   Her career continues on–being divided between gospel and

country recordings.