The “Golden Hits Of The 70s” 

Main MenuConcept Refinement The Author..Wayne JancikGolden Age Of The 50sGolden Age Of The 60s1970s and There After

 

MUNGO JERRY

“IN THE SUMMERTIME”

(Ray Dorset)

Janus 125

No. 3   September 12, 1970

.

.

 .

Ray Dorset (vocals, guitar, casaba, feet) was born March 21, 1946, in Ashton, England. For years, Ray

played any kind of music that might put food on his table.  In 1968, “Mungo” Dorset was a member of a

starving London-based progressive-pop band called Camino Real.  Their future looked bleak, when out of

the blue, things took a turn for the worse.  The band’s bass player walked off, and Dorset sacked the drum­

mer–but replacements couldn’t be found in time for a gig at Oxford University.

 

Ray and his diminished Camino cluster, bassless and drumless, nonetheless put on a fine show. Dorset,

piano man Colin Earl (b. May 6, 1942, Hampton Court,  England), and a washboard player named Jo Rush

explored the terrain of their new musical turf as The Good Earth Rock & Roll Band. Before he left the

group, Rush turned them on to the sounds of Leadbelly, Willie Dixon, and Britain’s banjo-beating skiffle

king, Lonnie Donegan.

 

A “goodtime”/jug band/country-blues sound was coming together. Banjo-picking and jug-blowing Paul

King (b. Tan. 8, 1948, Dagenham, England) and the bass-bashing Mike Cole were soon added to the roll

call. A magazine plea for a manager garnered the group sometime-producer Barry Murray. After Mungo

Terry successfully opened for Traffic and the GRATEFUL DEAD at London’s Hollywood Music Festival,

Murray was able to secure a contract for the group with England’s Dawn label.  “In the Summertime” was

their debut disk, and the first of what would total a towering 10 Top 40 45s in their homeland.  In England,

they were a pop phenomenon; pundits talked of “Mungo-mania” and publicity hand-outs labeled them

“The New Beatles.”

 

“What we’re about,” Dorset said to a Circus inter­viewer, “is everybody getting up and jumping about.  We

just want everybody to be happy.”  Yet Americans soon wearied of jumping up and dancing.  Singles and

albums chockfull of cheerfully cheesy Mungo shuffles appeared on an on-again off-again basis well into the

’80s, but nothing sold worth a darn.  Eventually, a despondent Dorset dissolved the band name.  Solo

efforts are sporadic; Jo, Colin, and Paul formed the King Earl Boogie Band.  In the late ’80s, Ray with ex-

Fleetwood Mac-man Peter Green and Vincent Crane, formerly of THE CRAZY WORLD OF ARTHUR

BROWN, were a recording unit called Katmandu.