The “Golden Hits Of The 70s” 

Main MenuConcept Refinement The Author..Wayne JancikGolden Age Of The 50sGolden Age Of The 60s1970s and There After

 

CHRIS REA

“FOOL (IF YOU THINK IT’S OVER)”

(CHRIS REA)

United Artists 1198

No. 12   September 16, 1978

.

.

 

In the U.K. 27 charted tunes bear Rea’s name; his Road to Hell album (1989) went quadruple-platinum in

the homeland alone.  Water Sign (1983) went Top 20 in Denmark, Belgium, Norway, Sweden, France,

Ger­many, Holland . . . Two years later, Shamrock Diaries scored in most of the same countries, plus

Australia, Japan, and New Zealand.

 

Chris Rea does not sell well in the States.  The rea­son, explained Rea to Danny McCue, The Music Paper:  

his visits here are seldom.  “The danger of touring America is that you can’t tell your bedroom in St. Louis

from your bedroom in Milwaukee … That sounds like prison to me and a high price to pay for inflating

your ego and your bank account.”

 

In addition to being seldom heard, Rea feels he is misperceived by Americans. “This single [“Fool”] which

I wasn’t particularly happy with became a massive hit,” said Rea to McCue.  “… In the end, I finished up

virtually having a breakdown, and three years later if you mentioned Chris Rea’s name, the reaction was,

‘Leave him. he’s a failure.”‘

 

“The English Springsteen,” as Chris Rea (b. Mar. 4, 1951, Middlesbrough, England) has often been labeled

by the British press, is of mixed mind about having a hit recording in America.  “Fool,” a tune he wrote for

his sister, came from his debut LP, Whatever Happened to Benny Santini?, produced by Gus Dudgeon.

However, Chris was not pleased with this over-orchestrated and, in his view, misconceived album

(although it did sell 1 million copies in the United States alone).  A few years later, Columbia Records

allowed Rea a free hand in their Chipping Norton Studios in Oxfordshire, Eng­land.  Chris referred to the

resulting album, Tennis (1980), as “my first album–one that sets the record straight.”  Neither the LP nor

any of the singles pulled from it have sold much in the United States.

 

In the five years preceding his One-Hit Wonder sta­tus, Chris worked as a musician on the pub and concert

circuit fronting Magdelene, later relabeled the Beautiful Losers, after a Leonard Cohen novel. David

Coverdale of Deep Purple, later Whitesnake, was once a member of the Beautiful Losers, designated by

Melody Maker as the “best new band of the year.”  Magnet Records soon signed a recording contract for

Rea’s solo services.  The “miscast” Benny Santini was the initial result.

 

In the ’80s, Chris continued to record, with substantial success, in his homeland.  “Whatever Happened to

Benny Santini?” (#71, 1978) was issued in the States as his follow-up to “Fool.”  Four further singles have

charted in the United States, most notably, “Diamonds” (#44,1979) and “Work on It” (#73, 1989).  Odds

are that Rea will maintain his one-hit status.  “I don’t want anything that much that it would mean I

wouldn’t get to see my daughter’s face for six months,” said Rea to McCue.