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JIMMY McCRACKLIN

“THE WALK”

(JIMMY McCRACKLIN)

Checker 885

No. 7    March 10, 1957

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Legend has it that bluesman Jimmy McCracklin was annoyed by the poor quality of rock’n’ roll

records, and threw together what he thought was a dog of a disk to prove that rock consumers had

no taste.  “The Walk” strolled off with hit honors.

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McCracklin was born James David Walker on a cot­ton plantation outside of Helena, Arkansas, on

August 13, 1921.  Jimmy’s parents separated when he was young, and moved with his mother to St. Louis,

where he sang in the choir of his  Baptist church.  In his mid-teens, Jimmy and a cousin, John henry

Murrell, hopped a train to California.  Their goal was to find boxer Archie Moore and to convince him to

 teach them all he knew about the sport.

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Jimmy was yearning to become a professional  boxer.  In the late ‘ 40s, after a tour of duty with the

Navy–where he won the title of All-American Light­ Heavyweight Champion of the Military–he moved

to San Francisco.  A head-on car crash (in which Peter Morgan, brother of baseball’s Joe Morgan, was

killed) halted his boxing career.  Shortly after, McCracklin turned his attention to singing, blowin’

harp, and poundin’ piano blues in Bay-area bars.  Jim had been messin’ with music for years; he had

cut a number of singles for Globe, Excelsior, Courtney, Cavatone, Downtown, Trilon,and Modem, all

before 1950.  Noth­ing made the pop or R & B charts until Jim, on a dare and in disgust, wrote “The

Walk” and lowered himself to the level of rock’n’roll.

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“We were broke,” said McCracklin to Howard A. Dewitt, DISCoveries magazine.  The place was

Chicago, the winter of ’56.  “I lived with the band in a hotel room.  We had just enough money for food.

It was a miserable time.  I saw those black rock’n’roll guys like Chuck Berry write some early hits, and

I knew I could make a successful record.  I had lyrics and the music and knew what the white kids

wanted.  I had watched those kids dance, and I saw an opportunity.”

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To make ends met, Jimmy and band, the Blues Blasters, secured a gig at Rita’s Lounge.  “Rita’s was a

lit­tle but long club filled with black people.  If you don’t play good blues your ass is in a lot of

trouble.”  Exactly at nine o’clock each night, a well-dressed smooth pair would dance into the

club.  “I’ll never forget those folks, they’d just dance in slow like they were walking.  They had style,

grace … I knew I could write a song about those folks….”

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In January 1958, McCracklin and his Blues Blasters–Ray Cotton (drums), Horace Hall (bass), Big

Johnny “Bird” Parker (sax), Lafayette Thomas (guitar)–had the song together and walked into a tiny

do­-it-yourself studio to record “The Walk.”  It took McCracklin three visits to the famed Chess Records to

convince the Chess brothers to take the tape.

“I was in a motel in Virginia and I got up one morn­ing and turned on the radio.  Damned if ‘The Walk’

didn’ t blast out at me.  It had only been a few weeks since I dropped it off at Chess Records.

“Now, when ‘The Walk’ took off, Chess got in touch with me to record some more songs.  They really

promoted it, and I had finally broken into rock’n’roll.”  Trouble was, according to DeWitt, “‘The Walk’

was released without McCracklin signing a formal contract.  ­ Said Jimmy, “I didn’t know how to protect

myself.   I didn’t care, I just wanted a record out.  I was on top of the world with a hit record….  “The

Chess broth­ers refused to pay royalties to Jimmy McCracklin; in addition, a fictitious name–Bob

Garlic–was added to the composition credits, as a means of snatching half of Jimmy’s writing credits.

“I had a Billboard Top 10 hit and had been on ‘American Bandstand,’ and Leonard Chess told me

there was no money.  I knew I had to go else where. Chess cheated me.”  Jimmy and his Blues Blasters

went to Mercury Records.  “They didn’t promote my records….”

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In the intervening years, Jimmy has written a couple of classic songs–“The Thrill Is Gone” and

“Tramp”­ and recorded some fine R & B numbers, some of which crossed over to the pop charts:  “Just

Got to Know” (#64, 1962), “Every Night, Every Day” (#91, 1965), “Think” (#95, 1965), and “My

Answer” (#92, 1966).

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Twenty-five years later–in 1983-after much leg and legal work, McCracklin got back what was his all

along–the legal rights as sole author of “The Walk,” with complete royalties henceforth.  “Think of all

that money I was cheated out of.  Hell, I don’t think ‘The Walk’ was ever out of print.”

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Jimmy McCracklin owns Budget Music and Sodium Publishing and continues to tour and to record

for Rounder Records.

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“I’ve been a lucky man,” said McCracklin.  “My wife and kids have been a hell of an inspiration.  My

willpower to go on comes from them….”