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BILLY GRAMMER
“GOTTA TRAVEL ON
“
(Paul Clayton)
Monument 400
No. 4 January 19, 1959
.
.
Billy was one of 13 kids clamoring for attention. Born on a 40-acre farm in Benton, Illinois, on
August 28, 1925, he was surrounded by string instruments and raised by a daddy who was a
fiddle-playing coal miner. Pop spoiled his son’s musical abilities early and taught him what he
knew. Bill, fascinated by the sounds and realizing that making music could possibly make him
some money, soon picked up on playing the guitar, mandolin, and banjo.
.
Before serving in the Army, Bill played dances and local events; on his return from duty, he secured
a spot on “Radio Ranch” (a program on WARl in Arlington, Virginia) and performed as a trusty
sideman to country singers like Grandpa Jones, T Texas Tyler, Clyde Moody, and honky·tonker
Hawkshaw Hawkins. In 1955, Bill became a regular on Jimmy Dean’s daily TV show out of
Washington, D. C. Two years later, “The Jimmy Dean Show” was picked up for national broad-
cast, and Billy was offered a contract with Monument Records.
.
“Gotta Travel On,” a song based on a 19th-century British tune that had been adapted by Pete
Seeger and the Weavers, hit the jackpot. The record was to become Billy’s only major crossover
record. The follow-up, however, did not do darkly–“Bonaparte’s Retreat” (#50, 1959) and its flip
side, “The Kissing Tree” (#60), both received extensive pop airplay, and both tunes charted on
Billboard’s
Hot 100.
/
Throughout the ’60s, Grammer had minor hits on the country charts, such as the eurious “Ballad of
John Dillinger,” “Jesus Is a Soul Man,” and “I Wanna Go Home” (the latter was a covered by Bobby
Bare as the pop and country monster hit “Detroit City”). All during this time, Grammer served as
one of the busiest accompanists and session guitarists in Nashville.
.
Billy Grammar still tours and performs at the Grand Ole Opry. He no longer records or works
sessions; his last album was
Grammer
(1977). Billy is also the originator and manufacturer of the
Grammer flat·top guitar.
COPYRIGHT 1997 Wayne Jancik