The “Golden Hits Of The 70s” 

Main MenuConcept Refinement The Author..Wayne JancikGolden Age Of The 50sGolden Age Of The 60s1970s and There After

 

FIVE STAIRSTEPS

“O-O-H CHILD”

(Stan Vincent)

Buddah 165

No. 8   July 18, 1970

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 Clarence Burke, Sr., a Chicago police officer, had been stabbed and shot twice in the line of duty, and

consid­ered himself fortunate to be alive. He was the father of five when an idea struck him. Mrs. Burke had

been lin­ing her offspring up on the couch and teaching them to sing along with TV commercials and pop

records.  Step­ping back to view them, she remarked, “They look just like stairsteps.”  In 1965, when the

quality of the harmo­nizing had improved, Papa entered his brood in a con­test at the famed Regal Theatre.

They sang, danced, and walked off with first prize.

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While shopping in a neighborhood grocery, Papa boasted about his kids to Fred Cash, a guy he knew from

way back. What he didn’t know was that Cash was now a member of the Impressions. Cash offered to set up

an audition for the Five Stairsteps with his boss, Curtis Mayfield. Curtis liked what he heard, and before

long, the group–which consisted of guitarist Clarence, Jr. (b. May 25, 1949), guitarist James (b. Sept. 19,

1950), guitarist/drummer Dennis (b. 1952), bassist Kenny (b. Sept. 28, 1953), and Alohe “Lannie” (b. 1948),

the group’s eldest and the only female–was an overnight success.

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“You Waited Too Long” (R&B: #16, 1966), the flip side of their first release for Windy C, did well with R & B

lis­teners, like nearly every disk right up until their dou­ble-sided monster masterpiece, “O-o-h Child” b/w

“Dear Prudence:  “Up until this point, they billed them­selves as “America’s First Family of Soul.”

Thereafter, things changed.

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Mr. and Mrs. Burke eventually had 11 children. The group’s line-up fluctuated constantly. Little Cubie (b.

1966) was added: he would make sounds, prance, and wet his pants. Pop even slapped the bass and sang

lead. But more threatening to the group’s credibility were their unsuccessful forays into pop and rock,

which cre­ated internal conflicts about musical direction.

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Before the family group splintered in the early ’70s, the Stairsteps provided session support to recordings by

Quincy Jones, Stevie Wonder, and Billy Preston. In 1976, with the aid of Preston–who Kenny had toured

with for much of 1974—some members regrouped for an album, Second Resurrection, and a few singles for

George Harrison’s Dark Horse label.  “From Us to You” (R&B: #10) did quite well on Billboard’s R & B

listings, but the revised edition was short-lived.

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In 1980, Clarence, Dennis, James, and Kenny returned as The Invisible Man’s Band with a R & B Top 10,

“All Night Long” (#9); minor R & B chartings con­tinued into the mid-’80s. Kenny (now spelled “Keni”) left

to forge what seemed a promising solo career: to date, he has had some albums issued and only a few mild

R & B chartings: “Let Somebody Love You” (#66, 1981) and “Risin’ to the Top” (#63, 1983).

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As a bass player, Keni has recorded with Peabo Bryson, the Emotions, the Four Tops, Gladys Knight & The

Pips, Smokey Robinson, Eugene Record, Diana Ross, Sly & The Family Stone, Bill Withers … as a pro­ducer,

his work includes efforts for THE JONES GIRLS, O’Jays, the Whispers, and the Whitehead Brothers.