The “Golden Hits Of The 70s” 

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STORIES

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“BROTHER LOUIE”

(Errol Brown, Anthony Wilson)

Kama Sutra 577

No. 1   August 25, 1973

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Lead singer Ian Lloyd (b. Ian Buonconciglio, 1947, Seattle) and keyboardist Michael Brown (b. Michael

Lookofsky, Apr.25, 1949, Brooklyn) were introduced by their fathers, two old friends who had worked

together for years as session violinists.   Ian had been singing for years and had attracted local notice

recording as Ian London.   Michael had played with his group the Left Banke:  their big-time success

included “Baroque rock” items like “Walk Away Renee” (#5, 1966) and “Pretty Ballerina” (#15, 1967).

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The two seemed to click and agreed to set about forming a Beatlesque band.   They recruited New York­ers

Steve Love (guitar) and Bryan Madey (drums) and located an interested record company in Kama Sutra.

A self-titled album and a single–“I’m Coming Home” (#42, 1972)–followed.   Success was immediate.   The

second LP, About Us (1973), also did well, but primari­ly because of the inclusion of an afterthought,

“Brother Louie.”   This tune about a black girl and her white boyfriend had been a British hit for Hot

Chocolate in 1973.   Once issued as Stories’ second single, the group’s whole world changed.

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“All of a sudden,” Lloyd explained to Triad’s Russel Wiener, “we had a big hit with a song that did not rep­

resent our music and the direction we were trying to go in.   I didn’t think it would affect me that much, but

it did.   Consequently, I decided that I had to remove myself from that, so that I could come back and show

what I really can do.”

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Lloyd did remain with Stories for one more album–Traveling Underground (1973)–but Brown left

immediately.   Bassist Kenny Aaronson (b. Apr. 14, 1952, Brooklyn) and keyboardist Ken Bichel (b. 1945,

Detroit) stepped in to fill the void.   This new group made the Hot 100 with “Mammy Blue” (#50, 1973) and

“If It Feels Good, Do It” (#88, 1974).   Before their short story ended, Madey moved on, and was replaced

by Rick Ranno, later of Starz notoriety.

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Lloyd has since recorded some sorely-overlooked solo albums and has done studio work for Foreigner,

Fotomaker, and Peter Frampton.   Brown next formed the Beckies, yet another quite-good Beatles-like

band.   Love reappeared in the early ’80s in Landscape.   Madey, after a two-LP stay with the Earl Slick

Band, reportedly provided accompa­niment for legend Peggy Lee.   And Aaronson remained busy; first as

the frontman for Dust, then as co-founder (with Carmine Appice’s brother Vinnie) of Axis.   Bichel has

since worked sessions for Hall & Oates, Billy Squier, ex­ MOUNTAIN Leslie West, and former McCoy, RICK

DERRINGER.