The “Golden Hits Of The 70s” 

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ELVIN BISHOP

“FOOLED AROUND AND FELL IN LOVE”

(ELVIN BISHOP)

Capricorn 0252

No. 3   May 22, 1976

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“For 99 percent of the people,” blues guitarist Elvin Bishop explained to Guitar World’s Bill Milkowski, “if

1970s  you don’t have a record, you’re not on the radio…  you don’t exist.  For some reason, I never felt

much pressure to make a record.  I lead a pretty full life.  Got a real nice home, nice wife, nice kid, ….”

 

As for the “Pigboy Crabshaw” persona often flogged by critics, Bishop told Relix’s Clark Peterson: “What’s

wrong with being a good old fella?  I didn’t see a TV until I was 12.  I was born and raised on a farm

outside Tulsa, and I’d seen a lot more chickens and pigs than people.”

 

Despite his hayseed image, Elvin (b. Oct. 21, 1942, Tulsa, OK) was a bright kid.  It was while studying

physics at the University of Chicago on a National Merit Scholarship that he fell under the mesmerizing

sway of the blues.  “There must’ve been 40 blues clubs that were just hoppin’ every night, all over the

South Side and the West Side,” Bishop recalled to Milkowski.  “Needless to say, I got swept up by the

scene.”

 

Elvin hooked up with a young harmonica-player named Paul Butterfield.  The two worked parties as a

duo, backing up blues greats like Magic Sam, Junior Wells, and Hound Dog Taylor.  In 1965, Bishop and

Butterfield formed a blues band that became quite popular in Chicago.  The Butterfield Blues Band,

featuring the lead-guitar work of Mike Bloomfield, suc­ceeded in bringing the authentic blues (by white

kids, no less) to middle-class rock and folk fans.  For three classic albums–The Paul Butterfield Blues

Band (1965), East-West (1966), and The Resurrection of Pig­ boy Crabshaw (1968)–the band purveyed

its unique brand of electric blues.  When Bloomfield left after the second album, Bishop moved into the

lead-guitar chair.

 

In the late ’60s, Bishop left Butterfield, moved to the Bay area, and led his own group.  A few LPs were

issued on the Epic, Fillmore, and Capricorn labels.  Two sin­gles–“Travelin’ Shoes” (#61, 1974) and “Sure

Feels Good” (#83, 1975)–as well as two albums–Let It Flow (1974) and Juke ]oint Jump (1975)–did well.

But it was not until 1976 that Bishop won the major portion of his audience.  “Fooled Around and Fell in

Love,” fea­turing vocals by future Starship singer Mickey Thomas, sold beyond all expectations.

 

“I wrote that song four or five years earlier,” Bishop told Creem’s Tom Dupree, “and I never was able to

sing it well enough, and there was nobody singing in my group who could do it to my satisfaction until

Mickey tried it.  It was just a throw-in on the last album.  We needed a little bit more time filled.”

 

A few more singles and albums followed, but by 1980, Elvin was nowhere in sight.  He resurfaced in 1989

with Big Fun on Alligator Records, assisted by DR. JOHN.  Releases thereafter have been sporadic.