The “Golden Hits Of The 50s” 

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ROYALTONES

“POOR BOY

(Mel Mitchell, David R. Sanderson)

Jubilee 5338

No. 17    December 1, 1958

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One of the best instrumental acts in all of ’50s era rock’n’roll–the Royaltones–never got the chance to

make an album, or even see their works of pop art compiled in album form.  Their material is long since

out of print.   Their individual names–as well as their collective moniker–are unknown but to those

derisively labeled “record fanatics.”   To report that all is well and their excellent efforts have been

rewarded would be a fabrication.

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“I’ve worked behind and with many top-notch performers,” said “Bob,” David R. Sanderson to Norewen

Kukkonen, writer for the Leader Newspapers.  “Often, I’d be sitting back, watching them and say to

myself, ‘Some day, I’m gonna be up there.'”

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Bob was 58 when he died.  The futuristic guitarist with the Royaltones died of a heart attack on June 25,

1994, at Garden City Hospital, Dearborn Heights, Michigan.

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Largely through his work with radio station WCXI, Bob performed in concert with Johnny Cash and June

Carter, Roger Miller and Johnny Paycheck, Tanya Tucker, Ricky Scaggs and Conway Twitty.  For years

Sanderson performed in his hometown haunts.  In 1980, he began fronting his own touring band, the

Porcupine Mountain Band.  Sporadically singles would be issued–“Back on the Barstool Again,” “I Know

Your the Rain”; the later place on the Billboard “Adult Contemporary” charts.   His 1988 release, “Gettin’

Down, Gettin’ Together, Gettin’ In Love,” was given a positive review by Cashbox–“Top Single Pick.”  “It

makes you feel good inside when you read your record review and it’s among such names as Donna Fargo

and Louise Mandrell,” said Sandersen, at the time.

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“Bob” was born David Robert Sandersen in Cumberland City, in Tennessee, in 1936.  Mama sang; papa was

a particularly good banjo picker.  “I saw my dad playing various instruments as I was grew up,” he told

Kukkonen.  “I was taught myself how to play guitar, but my main instrument was my voice.”  Before the

Royaltones–ironically, and instrumental-only band–Bob got to record at least one single under his own

name, a vocal, “Beauty” b/w “My Hands.”

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Despite these superabilities no album has ever been released.   Their dozen singles are long out-of-print.

And next to no one knows much of anything about who they were and how on this earth they got that God-

granted good.

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The Royaltones were four in number.  George (Katsakis) Kaye was their screamin’ sax man.   The second

guitar cries were tore out by Karl Kay.   On drums and piano were the Popoff brothers, Greg and Mike

respectively.   They played dances and surely must have driven their audiences to the edge of frenzy.

Someone with clot spotted them and brought them to the attention of Jerry Blaine at Jubille Records.

History has yet to tell whether such a perfect pounder as “Poor Boy” was their first release or not.   Justice

was momentarily theirs and the honkin’ wax actually found a place on the nations radios.   Follow-ups

were another story.

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After the double-side classic “Seesaw” b/w “Little Bo,”  Kaye, Kesy, and the Popoff brothers had “Flamingo

Express” (#82, 1961), possiby their finest piece of musical madness issued on George Goldner’s Goldisc

label.   Goldner saw fit to continue releasing other Royaltone records despite their dismal sales.   “Holy

Smoke,” “Lonely World,” and “Yea Yea” were issued as late as the mid ’60s; long after the nations needs

for horn-honkin’ instrumentals had been satiated.