The “Golden Hits Of The 50s” 

Main MenuConcept Refinement The Author..Wayne JancikGolden Age Of The 50sGolden Age Of The 60s1970s and There After

PHIL PHILIPS AND THE TWILIGHTS   

“SEA OF LOVE

(George Khoury, Phil “PHIL PHILLIPS” Baptiste)

Mercury 71465

No. 2   August 24, 1959

,

.

Nineteen fifty-eight was a long year for John Baptiste, a frustrated guitar-playing  bellhop.  By day, he

would move the luggage at the Chateau Charles in Lake Charles, Louisiana; by night, he would try to

move a young girl named Verdie Mae.

.

“She’d not always be a lover and I had my guitar, so I went and wrote this song, ‘Sea Of Love,’ reported

Baptiste in an exclusive interview.   “You see, she really didn’t believe in me.   But I felt if I could sing

about it, a sea of  love, you know, where it’s quiet and peaceful, I could really show her how much I

loved her and cared for her.”

.

One day the gas-meter reader, making his usual house call, overheard John practicing his ode of

oceanic love.   “He’s the one that impressed on me that I really had something.   He said, ‘You’re

walking  around with a million dollars in your hand.   All you got to do is do something about it.”‘

 .

The meter man told John about George Khoury, a local record producer who had worked on Cookie &

The Cupcakes’ “Matilda” (#47, 1959).   Khoury liked what he heard in John, and  immediately brought him

to Eddie Shuler’s small Goldband Recording Studio.   “We went in there, and I sung the song over and over

again.   We went back the next night, and the next, and over and over again we went on that tune, until we

were sure that we got the cut on it.”

 .

John got some friends together and taught them how to sing the tune’s haunting and seductive

backing vocals.   Shuler brought in a number of  musicians, searching for the just-right sound

which he eventually extracted from the Cupcakes.   For reasons related to his interest in hypnosis,

Khoury suggested that John make double use of his middle name, Phillip.   By June 1959, John

was  “Phil Phillips,” and “Sea Of Love” was selling so well on Khoury’s independent label that the

record was leased to Mercury for national distribution.   Within weeks, this eerie swamp tune was

number two in the nation.

.

One-time gospel singer and bellhop Baptiste was never again to have another hit.   Four more singles

were released, but despite Clyde Otis’ lush production–and back-up  vocals by Brook Benton and the

Jordanaires on several of these  numbers–not one of them even came close to returning “Phil” to the

charts.

.

Phillips never married  Yerdie Mae, the girl for whom he wrote “Sea Of  Love.”   “No, no, I sure didn’t,”

he explained.   “I married the right one, though, yes indeed.   But ooh, it’s a good thing I didn’t marry that

Verdie.”   He never got his hands on that million dollars.   “I’m waitin’ by the mail box, yet.   I never did get

my money.   The only thing I did get off  that record as an artist was $6,800.”

.

Well into the ’90s, John has been a weekend DJ at KJEF in Jennings, Louisiana.   He is  the producer of the

late ‘ 80s Fire Ants’ rendition of his one hit.   Them Fire Ants are Rabbi, Shapina, Israel, Manedalisha, and

Ethopia Baptists–five of  his children.

.

In 1982, Del Shannon remade “Sea Of Love” and charted at number 33; in 1984,  the Honeydrippers–a

one-off group consisting of Robert Plant, Jimmy Page, Jeff Beck, and Chic’s Nile Rodgers– reached

number three  with their workup of the tune.    Nineteen-eighty nine saw the release of a excellent

AI Pacino-Ellen Barkin flick thriller named for and including the rock’n’roll classic.