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Concept Refinement
The Author..Wayne Jancik
Golden Age Of The 50s
Golden Age Of The 60s
1970s and There After
MIKE DOUGLAS
“THE MEN IN MY LITTLE GIRL’S LIFE”
(Eddie Dean, Mary Candy, Gloria Shayne)
Epic 9876
No. 6 February 5, 1966
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For a while, Mike was the hottest host on daytime television. According to
TV Guide
, his impact was such
that “dishes go unwashed and shirts remain unironed when Mike Douglas comes on.” In 1967, his
Syndicated program was piped over nearly 200 channels and viewed by close to 6,000,000 glassy-eyed
housewives. That year, he won an Emmy Award for “Outstanding Daytime Performance.”
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Douglas was born Michael Dowd, Jr. in Chicago, on August 11, 1925. Mom encouraged him to open his
mouth and let that voice out, which he did at all the family gatherings. In his teen years, he became a
singing master of ceremonies aboard a cruise ship which bobbed about Chicago’s shoreline. After his
involvement in World War II and a spell at Oklahoma City College, Mike’s big break happened. For five
years, beginning in the mid-’40s, he got the chance to sing with the delightfully obtuse Kay Kyser and his
Kollege of Musical Knowledge, on radio, record, and TV. Mike even sang lead on Kyser’s number-one hit,
“Ole Buttermilk Sky” (1946).
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In 1950, Kyser called it quits, and Mike’s career floundered for a period. For awhile early in the ’50s, Mike
appeared as vocalist on the Dumont Network’s “Music Show” and hosted a daytime variety show in Chicago,
“Hi-Ladies”; in the late ’50s, Mike was featured vocalist on the NBC-TV program “Club 60,” broadcast live
and in color from Windy City. In 1961, he started up the Cleveland-based TV program that would eventually
capture the hearts of daytime–laregely female–viewers everywhere; four years later, Epic Records signed
Mike up to create mood music for his millions. “The Men In My Little Girl’s Life” was one such mellow
moment, and his lone top 40 hit.
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In 1980, Group W Broadcasting abruptly dropped Mike in favor of John Davidson, whose youthful appeal
was expected to draw in an even larger audience. Mike continued as the program’s producer until its
demise in 1982.
COPYRIGHT 1997 Wayne Jancik