The “Golden Hits Of The 60s” 

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FRANK IFIELD

“I REMEMBER YOU”

(Johnny Mercer, Victor Schertzinger)

Vee-Jay 457

No. 5    October 13, 1962

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“When I was 13, I worked with a fantastic old fellow called Big Chief Little Wolf, who taught me all the

intricacies of show business in the old-fashioned manner,” Ifield told Sheila Tracy, author of Who’s Who

in Popular Music in Great Britain.   Frank (b. Nov. 30, 1937, Coventry, England) was a “spruker,” a “roll over

roll over,” or what we in the Far West might call a “come-on man.”  His earliest of jobs, in other words,

was to get people to lay their money down for traveling tent shows and circuses.

 

Frank’s dad was an inventor and design engineer, and although the family was originally from England,

most of Frank’s youth was spent in Australia.   It was in Sydney that he made his debut as a singer in 1950

at the Hornsby Pacific Theatre.   Within a year, Frankie was making TV appearances and had recorded

his first single, “Did You See My Daddy Over There?”   More than 40 other disks were to follow over the

next half-decade or so.    By the end of his teen years, Frank lfield was reported to be the hottest vocal item

in Tasmania, New Zealand, and Australia.

 

Seeking to broaden his realm of  influence, Ifield moved back to England in 1959, where under the

tutelage of Norrie Paramor, he was quickly signed to Columbia Records.   His countrified cover version

of Carl Dobkins, Jr.’s “Lucky Devil” established him in 1960.   For the next six years, Frank could do little

wrong:  15 singles charted in England.   Three of these 45s–“l Remember You,”  “Lovesick  Blues,” and

“The Wayward Wind”–topped the British listings;  according  to New Music Express,   this was a first in

British pop history.    The only one of the trilogy to click in the States was “I Remember You,” a remake

of the Jimmy Dorsey hit from the Dorothy Lamour/Helen O’Connell flick The Fleet Is In (1942).   Before

being mothballed, lfield’s disk became the first record to sell a million copies in the U.K. alone.

 

Frank’s stateside impact vanished as rapidly as the changing of the seasons.   Although he did manage to

place three other singles on the Hot 100 and four more on the C & W charts, not one could respark the

nation’s interest.

 

Meanwhile, lfield toured the remainder of the world, playing concerts and cabarets.   Frank is still very

much a viable voice in England, where he was voted the “Best British Male Vocalist of the Year” for both

1981 and 1982 at the International Country Music Awards at Wembley.